PAINTERS OF THE PERIOD in a sentence | Sentences WordTool (2024)

Raphael Rubenstein has collected together prime examples of the well, and lesser known painters of this period, giving viewers a chance to confront the actual paintings that have channeled the aesthetics we are immersed in today.

Back in the late eighties, when I was a painting undergrad at MassArt, faculty member Dean Nimmer invited Amenoff, who was one of the It painters of the period, to join our final painting critique.

Perhaps the most famous landscape painter of the period, Caspar David Friedrich often depicted winter.

Explore the celebrated and less known painters of this period whose images still amaze us.

Blackshaw was regarded as one of the most signifiant painters of his period and one of the most important painters from Ireland.

Today, some of the most important painters of this period are not well known to most people.

VMFA also displays work by Samuel Woolf and other painters of the period who found culture in the commonplace.

and influenced American painters of this period.

Some of the most prominent painters of this period are Zhao Mengfu, and the Four Masters of the Yuan, Huang Gongwang, Ni Zan, Wang Meng, and Wu Zhen.

Siskind was not only a critical figure in modern photography, but also influenced the work of painters of that period, including Willem De Kooning, Franz Kline, and Robert Rauschenberg.

The most important romantic painter of the period was Eugène Delacroix, who had a successful public career and was the main opponent of Ingres.

It is the synthesis of these ideas that set him apart from other painters of the period.

While the Pre-Raphaelites had a turbulent and divided reception, the most popular and expensive painters of the period included Edwin Landseer, who specialized in sentimental animal subjects, which were favourites of Queen Victoria and Prince Albert.

There he attended classes given by George Luks, Guy Pène Du Bois, and John Sloan, all important American painters of that period.

[3] Davie travelled widely and in Venice became influenced by other painters of the period, such as Paul Klee, Jackson Pollock and Joan Miró, as well as by a wide range of cultural symbols.

While many other painters of the period like Alan Charlton, Robert Ryman and Brice Marden were also experimenting in monochrome, following the success of late Modernist post-war artists such as Yves Klein, Ellsworth Kelly and Robert Rauschenberg, among others, Stamm quickly furthered his experimentation of the use of a minimal palette by introducing composition, through the precision of the line and the shaped canvas.

Matching the wavelengths to pigments from the period revealed a mystery woman, believed to be Emma Dobigny, a model popular with painters of the time.

«It would entail a delicacy of work calling for novel improvements in the method of animation, and would cost a whole lot of money... And the designer would not only have to possess a thorough knowledge of the given painter and his period, but be blessed with talent enough to avoid any clash between the movements produced and those fixed by the old master: he would have to work them out from the picture — oh, it could be done.»

A period drama refreshingly free of pomposity and starch, Mike Leigh's biopic stars Timothy Spall as J.M Turner, the great 19th century English landscape painter, and examines his later years.

Deemed the «painter of light,» Turner's mastery work in oil and watercolor specializing in seaside landscapes gained great recognition as a Romantic period standard - bearer, predating the Impressionism that followed.

Leigh changes gears a bit with Mr. Turner, a period drama about the life of famed 18th - 19th century English painter J.M.W. Turner.

The paintings of the Romanticism Period are a source of inspiration for Wallace's own art, and he is especially drawn to American landscape painters of the Hudson River School.

Diego Velázquez (1599 - 1660) was a painter in the court of Spain's Philip IV during the Spanish Golden Age (Siglo de Oro), a period influenced by the Italian Renaissance, during which the arts flourished throughout the country.

Painters and poets have been inspired by its magnificent and varied scenery, the distinctive character of its people and its impressive archaeological remains, which date from different periods of its history: Minoan palaces, Byzantine churches and Venetian castles.

On the other hand, though the group of painters represented here form a tight - knit «generation» (one constraint of the show is that all the artists were born between 1939 and 1949), and though the selected works originate from the same period and place, the works are aesthetically independent enough to resist any easy categorization according to style or aims... Rubinstein's curation in Reinventing Abstraction proposes something — an idea, a possible history — that may connect with others but which is, nevertheless, its own.

Art and Posters Although the term «Art Deco» is rarely applied to painting or sculpture, the style is visible in the streamlined forms of certain 20th century painters from the inter-war period.

As disparate as the artistic approaches appear to be in Rothko to Richter, what united the painters throughout the period was a commitment to process, as artists explored a range of brushwork techniques, from audaciously gestural ribbons of built - up paint to vibrating fields and soft washes of color to hard - edged geometries.

The Gallery's curated exhibition History, Painting connects three painters whose work reflects three distinct movements in American social activism over a period of three decades.

All of them, however, have shown a particular interest in the medium over an extended period of time, and all have stables of artists that are at least 50 % painters.

With the burgeoning group of Beat writers, Abstract Expressionist painters and jazz scene musicians, the 1950s and early 1960s were an explosive time period for Tworkov and his New York School colleagues.

Here, then, some observations about one of the period's best painters, whose work, at least for the moment, is hovering silently in barely visible empyrean zones like one of the floating mandalas in his final paintings.

Towards the end of his period as a painter, Lueg used phosphorescent color on canvases so that the spectator would cast a shadow onto pictures, thus creating their own imagery.

Covering the five decades of painter Jules Olitski's career, this exhibition presents 30 large - scale paintings drawn from public and private collections and intended to highlight the artist's essential periods and themes of creation.

During the same period of the late 1960s, and early 1970s in Europe, Gerhard Richter, Anselm Kiefer [49] and several other painters also began producing works of intense expression, merging abstraction with images, incorporating landscape imagery, and figuration that by the late 1970s was referred to as Neo-expressionism.

The exhibition, which is also up through October 17, has just four paintings, everyone a winner, even though none come from the period when legendary critic Clement Greenberg was calling Christensen» one of the painters on whom the course of American art depends.»

The Studio Museum in Harlem and the Frances Young Tang Teaching Museum and Art Gallery at Skidmore present an exhibition featuring works from every period in painter Alma Thomas's career, including rarely exhibited watercolors and early abstractions, as well as her signature canvases drawn from a variety of private and public collections.

For this exhibition Gallery Director David Cowan has assembled a group of paintings from 1966 and 1967 that are meant to document and display a very brief but important period in the painter's output that saw him transition from a pure Abstract Expressionist approach to the minimal / geometric mode of expression that became his hallmark during the final fifteen years of his life.

(She also links the birth of the Mungnimhoe style to a traumatic period of Korean history, noting that the Ink Forest painters grew up under Japanese occupation and that for them «ink painting was an opportunity through which to free the mark from what its members saw as the obligations imposed on it via the dominance of nihonga, the body of paintings made according to traditional Japanese artistic conventions.»)

But when it comes to viewing David Park's body of work, this book shines with superb color plates dispersed throughout, showing Park's development as a painter from his early days, his non-figurative period, his return to figurative painting, and his final figurative work in gouache.

He references the great figurative painters, not so much of the 20th century, but from earlier periods.

The accompanying fully illustrated exhibition catalog, published by the AFA in association with Yale University Press, surveys the activities and contributions of women painters who worked in Paris in the late 19th century, and provides an examination of the sociopolitical conditions that shaped the culture of the period.

This exhibition tracks the transitional period of the great twentieth century painter Arshile Gorky, who moved from figuration to abstraction with his drippy, brightly colored oil on canvases.

Among them are some of the most visionary and uncompromising painters from the post-war period, including Francis Bacon, Lucian Freud, Leon Kossoff, Frank Auerbach, Michael Andrews, R.B. Kitaj and Paula Rego.

The original common use refers to the tendency attributed to paintings in Europe during the post-1945 period and as a way of describing several artists (mostly in France) with painters like Wols, Gérard Schneider and Hans Hartung from Germany or Georges Mathieu, etc., whose works related to characteristics of contemporary American abstract expressionism.

Over an almost half - century career that spanned a dynamic period of Chinese history the painter ji*zi (1942 — 2015) countered that assertion, arguing that painting could indeed be traditionally and authentically Chinese while also addressing themes of universal significance.

Besides the painters and sculptors of the period the New York School of Abstract expressionism also generated a number of supportive poets, including Frank O'Hara and photographers such as Aaron Siskind and Fred McDarrah, (whose book The Artist's World in Pictures documented the New York School during the 1950s), and filmmakers — notably Robert Frank — as well.

«Although it doesn't prevent him from sometimes being classical, Pierre Soulages is above all a great experimental painter... and the most experimental period of his work is perhaps the one that started with the new century.»

The exhibition will give a rounded view of Neel's career, showing her to be a radical painter in the figurative tradition — which was unjustly eclipsed in a period of high abstraction.

Many pioneer artists of the period, like Robert Irwin and Larry Bell, began as painters, but later transitioned into more complex media and environmental installations; DeFrance stayed largely committed to examining the phenomenology of painting throughout his career.

But we just went through this Zombie Formalism period, and a lot of those abstract painters who churned out tons of canvases to meet frenzied demand have now seen their markets disintegrate, and their reputations sink.